Acoustically, the challenge with this uniquely designed edifice – affectionately nicknamed “The Egg” – was to not allow the curves to generate echoes and other focused sound effects within the room. This was done with a variety of acoustically diffusive hard panels on the sidewalls and absorptive panels on the rear walls, working in conjunction with ceiling clouds to prevent focused energy and provide a good speech intelligibility into the seating area. The room is comprised of several types of systems:  Audio: In order to be user friendly for the visiting performance groups, we incorporated a versatile digital audio setup with the capability of bringing in analog audio consoles and/or guest digital consoles that can tie in directly to the systems. Now any group coming in can use the in-house Allen and Heath systems, or it will work for them to be able to use their own. Lighting: This is all LED color changing and incorporates a variety of fixtures for a variety of purposes. Rigging: There is a dead-hung stage rigging system, including a motorized main curtain that closes across the curved front of the stage. Video: The room incorporates high-definition video projection, cameras, and other systems.